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Editorial

How I Learned to Stop Worrying and Love Socialism: Education and Entertainment in the Musical Film Heißer Sommer (GDR, 1968)

Mor Geller

The Road to "Hole in the Moon"

Elad Wexler

"Queen Esther of the Third Reich": Leni Riefenstahl in 1930s Jewish Press

Jonathan Kaplan

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Editorial

Hilla Lavie and Asaf Tal

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Editorial

Hilla Lavie

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Lihi Negler

Gretel, Emanuel and Adolf: representation of Jews in cinema and television in Germany since the fall of the Berlin

Elad Pichman

Satirical criticism in the movie Al Hodoud (Laham, 1984): yellow car, straight lines and a fake Arab unity

Michal Peek Hemo

Cultural Trauma outbursts and clues for change in the greater common narrative in Uri Zohar's early movies

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Omri Yavin

From a Jewish State to an Airport: Foreigners and Immigrants in Contemporary Israeli Cinema

Yael Munk and Dana Massad

“On the political Spheres in Oded Davidoff’s Timrot Ashan

Amit Levy

Valentino’s Sheikh: Cinematic Contradictions and the Shape of American Orientalism

Siegfried Kracauer

From Caligari to Hitler: Introduction

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Kobi Kabalek, Moral Failure and Critical Memory in Sterne (1959) and Am grünen Strand der Spree (1960)

Naama Shefi, Brutal Reality in Soft Focus: the Israeli Reception of the Cinematic Adaptation of Jakob der Lügner, Die Blechtrommel, and Mephisto

Dor Yaakobi, American Gladiator: the Heritage of Ancient Rome in American Popular Culture

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Stephen Brockmann, The Rise of Nazism in Early East German Cinema

Hilla Lavie, The 'Nazis' of the Israeli Fiction Film: a Dialog between Cinema and Holocaust Historiography in Israel

Yael Ben Moshe, Artificial Suspense in Valkyrie

David Shperber, Montage Interdit: Yael Bartana's Polish Trilogy

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Tobias Ebbrecht Hartmann, "History and Justice in Erwin Leiser's Eichmann und das Dritte Reich (1961)"

Todd Herzog, "'What shall the history books read?': The Debate over Inglourious Basterds and the Limits of Representation"

Yochai Ataria, "Men in Crisis: American Cinema in the Post-Vietnam Era"

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Gerd Gemünden, From Chicago on the Spree to Weimar on the Pacific

Rick McCormick, Romantic Comedy and the Hitler-Stalin Pact: Billy Wilder and Ninotchka (USA 1939)

Ulrike Weckel, Weal and Woe of "Erotic Fraterization" in Postwar Germany: A Foreign Affair as Billy Wilder’s Alterna­tive to Reproachful Reeducation

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Jakob F. Dittmar, Comics and History: Myth-making versus Historisation

Nicholas Baer, The Dialectic of the Aufklärungsfilm: Essentialism and Nominalism in Richard Oswald’s Anders als die Andern (1919)

Michal Goren, This is the Land (1935): The Poetics of Zionism

Yaara Levin-Freiman and Dafna Levin- De Bushi, Sexuality and Gender in Avatar (2009)

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Moshe Zimmermann, Remembering the Recent Past: Tropes of National-Socialism in post-War German Cinema

Udi Greenberg, Holocaust and Repression: The Collective Unconscious in Lars von Trier's Zentropa

Azrikam Amram, Holocaust and Laughter: Hollywood's Comedies about Nazism

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Hadi Shchib Kassem, The United States' Role in World War II and the Representation of Nazi Germany in Hollywood

Yemima Ayala Cohen, 'In den Ruinen von Berlin': Hollywood and the Changing of American Policy towards Germany, 1943-1949

Review Articles

Matan Aharoni, Cultural Transfer, Identity Loss, and Identity Acquisition in Haim Bouzaglo's Fictitious Marriage

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Jonathan Tomkins, Donald Duck in Uniforms: American Animation in WWII

Hagar Levi, The 'Algerian Syndrome' in French Cinema

Hemi Sheinblat, Paths of Glory and the Cultural Heritage of World War I

Talma Harpaz-Gilboa, Fathers and Sons in post-1990 Chinese Cinema

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Nathaniel Anur, History in Film: Mivtza Yonathan as a Test Case

Ido Ramati, The Myth of the ‘Second Aliya’ in Israeli Public Television

Ben Lev-Kadesh, Anti-Russian Newsreels in WWII Germany

Dafna Dolinko, Trauma and Representation in Yiddish Films in Poland

Review Articles

Yiftach Ashkenazi, Borat and Jewish Essentialism